DNK-Amsterdam
concert series for new live electronic and acoustic music

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23 November 2024
17 July 2024
June 29, 2024
May 11, 2024
12 April 2024
6 April 2024
7 June 2022
3 June 2023
2 March 2023
2 November, 2022
22 October, 2022 at Zaal 100
15 September, 2022
8 September, 2022
February 9, 2022
26 November,2021
18 September, 2021
13-20 December, 2020
13-18 October 2020
27 August 2020
15 February 2020
8 February, 16:00
12 January, 2020 16:00 - 0:00
8 December 2019, 16:00
17 November 2019 at 16:00
15 September 2019 at 16:00
Sunday 7 July 2019 - 16:00
24 May 2019
19 May 2019
12 - 18 May 2019
August 4 2018
29 July 2018
21 July 2018
July 15 2018
July 7 2018
19 June 2018
16 June 2018
9 June 2018
27 May 2018
19 May 2018
13 May 2018
5 May 2018
5 May 2018
25 April 2018
21 April 2018
6 April 2018
1 April 2018
24 March 2018
17 March 2018
18 February 2018
17 February 2018

June 29, 2024
The Names

Sara Barbosa de Campos - voice
Seamus Cater - harmonica
Harry Golden - tuba
Marielle Groven - violin
Jeroen Kimman - guitar
Koen Nutters - upright bass / composition
Gert-Jan Prins - percussion
Germaine Sijstermans - clarinet

Budapest is 'the livingroom of the WG terrein' located in Amsterdam Oud West.

Please message KN or email dnkdays@gmail.com for the exact location.

Cash only for donations and drinks - NO PIN

The Names is a collective of creative musicians playing open, yet melodic, pieces in a Cage/Oliveros informed spectrum of improvised strategies and open-ended compositions. Giving homage to the Chicago tradition of AACM music as well as praise to progressive thinking in society, highlighting people such as Angela Davis, Michelle Alexander, Audre Lorde and composers such as Anthony Braxton, Eva-Maria Houben, and George Lewis, whose names, along with the names of band members and friends, have been used as the melodic or structural impetus of each composition.

Shaped by the ideas of critical music, listening and sounding practices, and the position of the post-musical, the group combines playing musical material with reflections on public space, society, and the world of ideas at large. For now, the music revolves around the open-ended compositions and arrangements of Koen Nutters, which serve as a conduit for each member’s personal and musical expressions. Each member, as a composer in their own right, is invited to contribute material to the collective’s repertoire.